Sunday, 26 February 2017

Representation of Sexuality





Fingersmith Exam Extract

 
G322 Fingersmith from Stephen Adams on Vimeo.

Exemplar Essay from Fingersmith:


In the clip, ‘Fingersmith’ the audience is being presented with an issue about sexuality. This clip is set in Victorian times, when being homosexual was very taboo for women and even illegal for men. In this clip, we are being presented with the issue of a woman, Maude, repressing her sexual feelings. The audience is instantly meant to be sympathetic towards Maude and this is known because she is the voiceover. The audience is being told of her secretive feelings through her voiceover, making them feel as though they are being trusted and are already on her side.
The first frame is a two shot of Maude and the woman she has feelings for. This two shot immediately demonstrates their unity as women. The audience immediately told by the voiceover of her feelings for this woman and this two shot reinforces the fact that this is an issue of homosexuality. The audience sympathises with Maude from the very beginning of the clip mainly due to the voiceover.
The director uses piano and violin while Maude talks about the thoughtful act the other woman did with her uncles’ books. Piano and violin are also used when Maude is lying next to the woman, almost stroking her, to emphasise this romantic and meaningful setting and furthermore to highlight Maude’s romantic feelings for the woman. The slow zoom on the women when they are in bed together, Maude resisting touching her, symbolizes how meaningful this moment is to Maude and making the audience empathise with Maude because she cannot romantically touch the one she loves. The focus on Maude’s hands is significant because she is wearing white gloves. These white gloves represent her purity and innocence. She wears these gloves even when trying to touch her, highlighting her sexual repression.
The director uses fading when moving on to a new scene and this constant use of fading represents how meaningful these moments are and dramatises them to provide sympathy for Maude from the audience.
In the next scene Maude is shown through a close-up, painting outside in a field watching the female character. While painting the sounds of singing birds is used, conveying a natural environment and signifying how Maude’s feelings are natural for her. The male character is then quickly introduced, emphasizing a binary opposite of homosexuality and heterosexuality. The first shot of the man shots him standing in between the women, thus suggesting that he will cause conflict.
The binary opposite between homosexuality and heterosexuality are again emphasized when the male character notices Maude looking at the womens breast, through the use of a close-up. When Maude realises she has not repressed her feelings successfully, she drops red paint from her brush. This red paint connotes danger and possibly foreshadows death. The use of flutes becoming louder and high-pitched highlight the tension and discomfort Maude is feeling now that she has exposed herself. Once the male character realises Maude’s feelings, cello, violin and flute are dramatically used to highlight his power in the narrative. The music then stops abruptly when the male character grabs Maude, emphasising that she is now in danger and gaining sympathy from the audience due to this aggressive male dominance.
After threatening Maude, the male character then takes Maude’s glove off. Maude has worn this white glove, a symbol of her purity and innocence, constantly throughout the clip and therefore this glove taking symbolizing her innocence being taken away, making the audience feel empathy for her.
The clip then fades again, indicating a transition into a romantic setting, and the female character is undressing. The setting is romantic once again, with violins playing throughout and a hot fire and candle is also placed in the shot to reinforce this intimate setting. The low-key lighting highlights how deep and secretive Maude’s feelings for this woman are and this low lighting is consistently used whenever the women are together, highlighting Maude’s true feelings and thus making the audience sympathise with her.
While the female character is undressing, the audience sees her through a point of view shot, therefore making them truly aware of Maude’s intimate feelings for this woman and thus making them feel empathy for her.
The clip ends with a close-up of Maude in her bed with her gloved hand close to her mouth, emphasizing how she is desperately trying to repress her homosexual feelings. The director has used this final close-up to let the audience know that this is who they should still sympathise with.
The director has clearly used camera, mise-en-scene, sound and editing to address the binary opposites of homosexuality and heterosexuality, and unsympathetic and sympathetic characters.



Another Exemplar Essay from Fingersmith:



SOME NOTES BELOW FROM CLASS DISCUSSION 2015






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